Art Curated by Velaras at Tigertail Rd
This exceptional home features art curated by Velaras. Visit Velaras to explore how you can acquire or lease these and other works—and how our expertise, capital, and access can elevate your space or collection.
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FIRST FLOOR - LIVING ROOM
Michael Boyd
96B, 1970
Acrylic on canvas
65 3/4 x 75 3/8 in.
Price Upon Request
Michael Boyd
Untitled, 1969
Acrylic on canvas
Two Panels: 66 x 96 in.
Price Upon Request
Michael Boyd
96B, 1970
Acrylic on canvas
65 3/4 x 75 3/8 in.
Price Upon Request
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Boyd (1936–2015) had several solo exhibitions with pioneering SoHo gallerist Max Hutchinson in the 1970s and continued to show in galleries and museums across the United States. His work is in the permanent collections of institutions such as the Buffalo AKG (Albright-Knox Gallery) Art Museum; The Chrysler Museum of Art, Norfolk; and the Everson Museum of Art, Syracuse.
FIRST FLOOR - LIVING ROOM
Lee Ufan
Dialogue, 2016
Acrylic on canvas
89 3/8 x 71 5/8 in.
Price Upon Request
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Ufan (b. 1936) is a key figure in the Korean Dansaekhwa movement and has exhibited widely throughout his prolific career. Most recently, his work was subject to a major retrospective titled Lee Ufan: Marking Infinity at the Solomon R. Guggenheim in New York in 2011, the artist’s first major North American retrospective. In 2010, the Lee Ufan Museum, dedicated to the artist’s oeuvre, opened on the Japanese island of Naoshima. Lee’s works are part of numerous institutional collections worldwide, including the Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; Tate Modern, London; Centre Pompidou, Paris; National Museum of Modern Art, Tokyo; Kunsthaus Zurich; and the National Museum of Modern and Contemporary Art, Seoul.
SECOND FLOOR- BALCONY
Yun Hyong-keun
Burnt Umber & Ultramarine, 1978
Oil on cotton
72 1/2 x 90 3/4 in.
Price Upon Request
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Yun Hyong-keun (1928-2007) represented Korea at the 1995 Venice Biennale, and in 2018 the National Museum of Modern and Contemporary Art in Seoul hosted a major solo exhibition of the artist’s work that traveled to the Palazzo Fortuny, Venice in 2019. His work is held in major international collections, including the Art Institute of Chicago; Tate Modern, London; the National Museum of Modern and Contemporary Art, Seoul; the Chinati Foundation, Marfa; M+, Hong Kong; and the Tokyo Metropolitan Art Museum.
FIRST FLOOR - KITCHEN / DINING
Turi Simeti
Quattro Ovali Gialli, 2008
Acrylic on shaped canvas
31 1/2 x 31 1/2 in.
Price Upon Request
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Turi Simeti (1929-2021) was an Italian painter and a key figure of the Zero art movement. After moving to Milan in 1960, he encountered Lucio Fontana, Piero Manzoni, Enrico Castellani, and Agostino Bonalumi, whose experimental practices shaped his own artistic direction. Simeti soon developed his signature use of the oval, producing monochromatic canvases with raised, rhythmic protrusions that liberated the surface from flat materiality and introduced a dynamic interplay of light and shadow.
In 1965, Simeti was included in ZERO Avantgarde, the landmark exhibition organized by Nanda Vigo in Lucio Fontana’s Milan studio, which marked a pivotal moment in his career. Since then, his work has been exhibited widely in Europe and beyond, including ZERO: Countdown to Tomorrow, 1950s–60s at the Solomon R. Guggenheim Museum, New York, in 2014. His works are held in major public collections such as Galleria Nazionale d'Arte Moderna e Contemporanea, Rome; Museo del Novecento, Milan; Museu de Arte Moderna, Rio de Janeiro; Museo d'Arte Moderna di Bolzano; and the Wilhelm-Hack-Museum, Ludwigshafen.
FIRST FLOOR - KITCHEN / BREAKFAST
Howardena Pindell
Untitled, 1972
Acrylic on canvas
68 5/8 x 105 1/4 in.
Price Upon Request
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Pindell (b. 1943) has exhibited extensively throughout her prolific career, in both solo and group shows. Her work has been featured in landmark museum exhibitions, including Contemporary Black Artists in America at the Whitney Museum of American Art in New York in 1971; Afro-American Abstraction at MoMA PS1 in 1980; WACK! Art and the Feminist Revolution at the Museum of Contemporary Art, Los Angeles in 2007; We Wanted a Revolution: Black Radical Women, 1965–1985 at the Brooklyn Museum in 2017; and Women in Abstraction at the Centre Pompidou, Paris in 2021. In 2018, the Museum of Contemporary Art, Chicago mounted Howardena Pindell: What Remains to Be Seen, which traveled to the Virginia Museum of Fine Arts in 2018. Pindell’s work is in the permanent collections of major museums internationally, including: the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; the Brooklyn Museum; the Museum of Fine Arts, Boston; the Philadelphia Museum of Art; The Studio Museum in Harlem; the Smithsonian Museum of American Art, Washington, D.C.; the Walker Art Center, Minneapolis; the Whitney Museum of American Art; and the Yale University Art Gallery, New Haven.
SECOND FLOOR - BAR ROOM / GAME ROOM
Michael Boyd
Primero, 1973
Acrylic on canvas
60 x 60 in.
Price Upon Request
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Boyd (1936–2015) had several solo exhibitions with pioneering SoHo gallerist Max Hutchinson in the 1970s and continued to show in galleries and museums across the United States. His work is in the permanent collections of institutions such as the Buffalo AKG (Albright-Knox Gallery) Art Museum; The Chrysler Museum of Art, Norfolk; and the Everson Museum of Art, Syracuse.
SECOND FLOOR - BAR ROOM / GAME ROOM
Paul Feeley
Petono, 1962
Oil based enamel on canvas
60 x 60 in.
Price Upon Request
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Feeley (1910–1966) was championed by legendary gallerist Betty Parsons throughout the 1960s and 1970s. During this period, his work also figured prominently in landmark museum exhibitions, such as the 1964 show Post Painterly Abstraction at the Los Angeles Museum of Art, the 1965 show Systemic Painting at the Solomon R. Guggenheim Museum, and Documenta 4, among others. His work is featured in the collections of major museums across the United States and abroad, including Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the Metropolitan Museum of Art, New York; Whitney Museum of American Art, New York; the Fogg Museum, Harvard University, Cambridge; the Hirshorn Museum and Sculpture Garden, Washington, D.C.; and the Museo de Arte Contemporaneo, Buenos Aires.
SECOND FLOOR - WINE ROOM
Nicholas Krushenick
Malibu, 1966
Acrylic on canvas
84 1/4 × 71 in.
Price Upon Request
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Krushenick (1929-1999) exhibited his work in solo exhibitions at prestigious galleries throughout the 1960s and 1970s, including with Galerie Sonnabend in Paris and Fischbach Gallery in New York. In 2015 he had a retrospective at the Tang Gallery, Skidmore College, Saratoga Springs, entitled Nicholas Krushenick: Electric Soup. Krushenick’s work is featured in the collections of over sixty major museums, including the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; the Los Angeles County Museum of Art; the San Francisco Museum of Modern Art; the Smithsonian American Art Museum, Washington, D.C.; the Stedelijk Museum, Amsterdam; the Whitney Museum of American Art, New York; and Walker Art Center, Minneapolis.
SECOND FLOOR - SECOND FLOOR FAMILY ROOM
Emmi Whitehorse
World Upside Down, 2024
Mixed media on canvas
59 1/2 x 89 1/2 in.
Price Upon Request
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Whitehorse (b. 1957) has participated in solo and group exhibitions nationally and internationally, recently taking part in La Biennale di Venezia: Stranieri Ovunque - Strangers Everywhere in 2024; The Land Carries Our Ancestors: Contemporary Art by Native Americans at the National Gallery of Art, Washington D.C. in 2023-2024; and Making Knowing: Craft in Art, 1950–2019 at the Whitney Museum of American Art, New York in 2019-2022. Her work is held in the collections of the Whitney Museum of American Art, New York; the Brooklyn Museum of Art; Crystal Bridges Museum of American Art, Bentonville; the Denver Art Museum; and the Museum of Fine Arts, Sante Fe.
SECOND FLOOR - PRIMARY BEDROOM
Ha Chong-hyun
Conjunction, 2024
Oil on hemp cloth
64 x 51 1/2 in.
Price Upon Request
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Ha Chong-Hyun (b. 1935) is a leading figure of Dansaekhwa, South Korea’s monochrome painting movement, known for his process-driven approach and material experimentation. Since the early 1970s, he has developed his signature bae-ap-bub technique—pushing oil paint from the reverse side of coarse burlap—producing richly textured, abstract compositions that merge physicality with restraint. These works often incorporate nontraditional materials, reflecting both Korea’s rapid modernization and the artist’s commitment to redefining painting beyond academic convention.
SECOND FLOOR - DOWNSTAIRS HALLWAY
Ralph Humphrey
Untitled, 1967
Acrylic on canvas
72 x 84 in.
Price Upon Request
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Ralph Humphrey (1932-1990) created works which defied easy categorization, merging the visual and tactile to explore the materiality of paint. Influenced early in his career by Mark Rothko, whom he met in 1957, Humphrey developed a practice marked by understatement and resistance to prevailing artistic trends. Beginning in the mid-1960s, he created shaped paintings with softly curved edges that blurred the boundaries between painting and sculpture, reflecting his refusal to conform to formal expectations.
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